Melinda Hurst Frye Offering 1 Image made using a flatbed scanner as a camera of fungi and their released spores. In the studio, the released spores visually map their path as they settle on the scanner’s glass, echoing the entangled relation

Melinda Hurst Frye
Offering 1
Image made using a flatbed scanner as a camera of fungi and their released spores. In the studio, the released spores visually map their path as they settle on the scanner’s glass, echoing the entangled relationship of the understory's ecology.

Space Type (Kevin Yeh, Lynne Yun) Biolens VIEW INTERACTIVE WEBSITE >> Realtime shader imagining liquid acid as interactive digital codescapes, progressing through various periods of containment and interrogating our attempts at rec

Space Type (Kevin Yeh, Lynne Yun)
Biolens
VIEW INTERACTIVE WEBSITE >>
Realtime shader imagining liquid acid as interactive digital codescapes, progressing through various periods of containment and interrogating our attempts at recreating and controlling complex natural phenomena.

Shahira Hammad Beams #2 A sequence from a post-human landscape, composed of 3D scans of geometries foraged from New York City.

Shahira Hammad
Beams #2
A sequence from a post-human landscape, composed of 3D scans of geometries foraged from New York City.

Christopher M. Tandy F4g M4gick Ch4rm (IWKYIYDI) Wand amalgamated with computer remnant, vellum drawing, bone, quartz, bismuth, pyrite, mirror shard, copper wire, rusted nail and epoxy clay coded to shift paradigms, obliterate binary th

Christopher M. Tandy
F4g M4gick Ch4rm (IWKYIYDI)
Wand amalgamated with computer remnant, vellum drawing, bone, quartz, bismuth, pyrite, mirror shard, copper wire, rusted nail and epoxy clay coded to shift paradigms, obliterate binary thinking and usher us into a balanced and synthesized, Queer existence.

Samantha Olschan $n@¢K/t!m£ (i said hi) Digital Collage on Acrylic exploring consent, consumer culture, entitlement, and women’s rights. The images in the series draw from social media, art history, and digital culture by combining classical

Samantha Olschan
$n@¢K/t!m£ (i said hi)
Digital Collage on Acrylic exploring consent, consumer culture, entitlement, and women’s rights. The images in the series draw from social media, art history, and digital culture by combining classical sculpture, tech iconography, digital or manufactured analog glitches, with crowdsourced conversations from dating apps and direct messages (DM).

John Vokoun Algorithms in Entropy IX Acrylic and oil over laser-cut panel. The computer drawing for this piece is a montage of vector drawings and glitch files originally created from a SCSI scanner. The series examines how patterns or struc

John Vokoun
Algorithms in Entropy IX
Acrylic and oil over laser-cut panel. The computer drawing for this piece is a montage of vector drawings and glitch files originally created from a SCSI scanner. The series examines how patterns or structures that are present all around us through computer interfaces, file folder organizational structures, glitches reveal the underworkings of our screens and GUI’s.

Andres Manniste Chaos VIEW WEBSITE > > looping web-based work in HTML that uses images, gifs, film clips and sound files to tell a series of stories from the past and present

Andres Manniste
Chaos
VIEW WEBSITE > >
looping web-based work in HTML that uses images, gifs, film clips and sound files to tell a series of stories from the past and present

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
Previous Next
Melinda Hurst Frye Offering 1 Image made using a flatbed scanner as a camera of fungi and their released spores. In the studio, the released spores visually map their path as they settle on the scanner’s glass, echoing the entangled relation
Space Type (Kevin Yeh, Lynne Yun) Biolens VIEW INTERACTIVE WEBSITE >> Realtime shader imagining liquid acid as interactive digital codescapes, progressing through various periods of containment and interrogating our attempts at rec
Michael Trigilio Five Songs of Magic, Milk, Space Michael Trigilio designed , animated and composed music for this piece made during seven months of chemotherapy. Bodies, globules and foam underscore the strange and beautiful qualities of sk
Angélica Piedrahita Alfabeto Screen recordings created with acoustic analysis exploring vocalizations of Green Parakeets, Red-crowned and Red-lored parrots, in comparison with the author's failed imitation attempts, focusing on cadence and v
Zander Porter Emoji-bot/絵文字ボット 1-channel excerpt from 4-channel video-performance installation featuring ketia, Harald Stojan, & Annalise Van Even, exploring paradoxes of mediated yet totalizing synchronicity/sameness through choreograph
Mathias Chumino THERAT05 Digital A/V: generative art, machine learning, 3D, creative code. Audio generated from synthesis, electromagnetic and field recording. It explores the digital representation of biological and synthetic creation throu
Jiatong Yao Rain On My Laptop experimental video combining AR, 3D animation, AI to explore the metaphorical downpour of rain on a laptop, serving as a symbol for the complex and chaotic nature of digital resource management. 
Ruxandra Mitache ANTICHamber (RGB Room) digital animation Four rooms in a magic box. The amber sound?
Shahira Hammad Beams #2 A sequence from a post-human landscape, composed of 3D scans of geometries foraged from New York City.
Yvette Granata Exo Gestus #2 ambient video series exploring the way that motion sensors incorrectly track my body. An amalgamation of the glitches that occur from tracking the artist's movements—"rather than correct it, I embrace the glitche
Diana Sanchez Machine Kinship, the impossible duet In 1987 the Kauai ōō sang his final song. It was meant to be a duet, but as the last of his kind his song hangs in the air. The other half is forever lost. The last song was fed into a ML mo
Woo Haran 윤슬 (Ever-Changing) video with filmed footage, animation, and digitally processed sound of a marimba and streaming water, creating an interesting contrast between the uninterrupted flow of natural water and the structured, computer-
Christopher M. Tandy F4g M4gick Ch4rm (IWKYIYDI) Wand amalgamated with computer remnant, vellum drawing, bone, quartz, bismuth, pyrite, mirror shard, copper wire, rusted nail and epoxy clay coded to shift paradigms, obliterate binary th
Aaron Oldenburg A Mass of Radiant Flies and a Body Software created with original AI non-player character algorithms, and silhouettes traced from the results of AI text-to-image prompts, exploring decomposition and re-composition in an endle
Samantha Olschan $n@¢K/t!m£ (i said hi) Digital Collage on Acrylic exploring consent, consumer culture, entitlement, and women’s rights. The images in the series draw from social media, art history, and digital culture by combining classical
Lee Tusman Pennsyltucky Excerpt of custom software simulation programmed in Love2d with original photographs and audio field recording. Pennsyltucky is an abstract artwork of infinite duration, part of a collection of generative simulations
John Vokoun Algorithms in Entropy IX Acrylic and oil over laser-cut panel. The computer drawing for this piece is a montage of vector drawings and glitch files originally created from a SCSI scanner. The series examines how patterns or struc
Andres Manniste Chaos VIEW WEBSITE > > looping web-based work in HTML that uses images, gifs, film clips and sound files to tell a series of stories from the past and present
Lauria Clarke Breather II a kinetic sculpture made from electronics, rubber, and fluid investigating what happens when attributes of living bodies are reflected by the non-living, questioning contemporary perceptions of aliveness and the nat
Reginald Brooks Numbers: Doubling Fractals fill the voids! Part 4 Video capture-manipulated kaleidoscope imagery (Acorn)-single acrylic painting "Woman With 28 Eyes"that in turn is a summation of number theory research on Mersenne Prime-Perf