Plexus Projects Studio Residency

Sangjun Yoo

Artist-in-Residence, July 2026

Sangjun Yoo is an artist and researcher working across installation, moving image, sound, and computational media. His work examines how perception, memory, and spatial orientation are shaped through shifting relations among time, environment, infrastructure, and technological systems.

Developed through doctoral research on perceptual mediation and extended through installation-based inquiry, Yoo’s practice treats perception as a distributed event that unfolds across human attention, environmental forces, and machinic processes. Using multi-channel video, spatial sound, environmental data, and custom computational frameworks, he creates responsive environments in which awareness is not given in advance but formed through instability, relation, and temporal change.

Yoo holds a Ph.D. in Digital Media and Experimental Arts from the University of Washington.

Plexus Projects Studio Residency

Mark Ramos

Artist-in-Residence, June 2026

Mark Ramos is a Brooklyn-based new media artist. Mark makes fragile post-colonial technology using web/software programming, physical computing (using computers to sense and react to the physical world), and digital sculpture/fabrication to create interactive work that facilitate encounters with our own uncertain digital futures. Mark is deeply committed to the ethos of open source: the free sharing of information and data + creative uses of technology. Mark has exhibited his work and lectured widely both online and AFK including as part of Rhizome’s First Look: New Art Online with the New Museum of Contemporary Art in NYC, Yerba Buena Center for the Arts in San Francisco, Long March Space in Beijing, M+ Museum in Hong Kong, HEK-Basel, Switzerland (Haus der Elektronischen Künste), Arebyte Gallery in London, and at the Peter Weibel Institute for Digital Culture in Vienna.

Related Event: Data Party

Plexus Projects Studio Residency

Gloria Fan Duan

Artist-in-Residence, May 2026

Gloria Fan Duan’s studio and laboratory based practice considers the aesthetic connections between nature and technology. Using various forms of technological augmentation including digital and biotechnology practices, she renders uncanny instances where beauty overrides naturalism. Trajectories that exist as pure speculation, like death or the future, remain elusive due to the inherent limitations of the human experience. By creating a visual vocabulary to depict ideas beyond the scope of human perception, her works speculate on impossible realities and unseen worlds. These simulacrous approximations often fuse the organic and synthetic. Her work serves to understand the subjectivity of how realities emerge.

Gloria Fan Duan is an artist and professor whose work explores the intersections of art, science, and technology through speculative projects that fuse the organic and synthetic. She has exhibited internationally at Art Basel in Basel, Ars Electronica, Currents New Media Festival, and the Wrong Biennale, with projects featured in Architectural Digest, Vogue, and Vanity Fair.Her teaching at The New School, Parsons and Pratt Institute stems from the foundational aspects of her practice, emphasizing systemic design thinking and craftsmanship. Fan Duan's work has been supported by the Andy Warhol Foundation Interlace Grant, as well as residencies and collaborations with the Bauhaus Dessau Foundation, La Prairie, Chicago Botanical Gardens, and Pratt Institute. She holds a BFA from RISD and an MFA from SAIC.